Natalya is a mother of five children, an associate professor at the Department of Animal Science and the owner of her own farm. As you might expect, the woman's style has always been rather provincial, but with age and the gradual layering of worries, Natalia became more and more indifferent to her appearance. She doesn't even have a mirror in her room, so she just doesn't pay attention to what she's wearing.
The heroine's wardrobe consists of cheap patterned things, which are usually called market items. These are blouses in animalistic colors, oversized blouses with rhinestones and other clothes that women on the periphery often wear. The husband began to dislike the fact that the woman he once fell in love with stopped taking care of herself, which only emphasizes their almost ten-year age difference in her favor. The first three outfits he picked up for her.
Parameters: height - 172 cm, weight - 100 kg, figure - 121-110-126, clothing size - 56, shoe size - 42.
Choosing a husband
1. Red pantsuit with white top
Wanting to save his wife from ridiculous prints, but at the same time preserve the brightness, Natalia's husband chose a contrasting option, combining a deep red trouser suit with a white top and beige shoes.
This can be seen in the photographs and in dynamics, and this was emphasized by the heroine herself, that the costume fits baggy and uncomfortable. Perhaps he would be very suitable for her if she were wearing styling and makeup, but in this form, his unsuccessful cut and the neck of the top, which frankly bulges, destroy all hints of the indicated style.
2. Lace skirt with blue shirt and poncho
The second choice represents contrasts of color, texture and style. A bright blue shirt with a lace skirt and a beige poncho doesn't go well together. Alexander Vasiliev noted that Natalia looks like a Bolivian peasant woman at Sunday mass, which is very aptly and eloquently describes this diligent, but, alas, ridiculous image, which is stratified into component parts.
3. Bright shirt dress with a light biker jacket
The third outfit is based on a combination of a bright printed shirt dress with a lavender jacket. Despite the fact that the shades are related to each other along the line of cold purple tones, the jacket with the dress is absolutely not in harmony.
The jacket seems massive and heavy even in spite of the light shade, as if it is from someone else's shoulder. The dress itself looks very nice and is perfect as a base for a summer urban style. Moreover, the print plays the role of an excellent optical illusion, which benefits the full figure.
The choice of stylists
1. Leather biker jacket with lace skirt and sneakers
The biker jacket was just asking for the image of Natalia, and the stylists did it, offering her a lace skirt and a bright neon fuchsia top. The glam rock style, which is complemented by basic white sneakers and a red quilted bag, is reminiscent of the eighties, but shifted to a modern hipster twist.
2. Double-breasted jacket (short coat) with ripped jeans
The stylists obviously chose a line of cold and bright shades for Natalia, who previously tried to look expressive only with the help of predatory blouses and strass appliqués. The second outfit is a kind of variation of the first outfit from her husband.
A deep fuchsia double-breasted jacket paired with a white shirt and cropped ripped jeans. The jeans are matched with dark blue leather sneakers and a sleek minimalist tote bag.
3. Sequin Floral Applique Dress
In the latest release, the stylists chose a win-win combination of a cool bluish-lilac shade with a bright yellow bag. The dress with transparent sleeves is richly decorated with sequin floral appliqués, and the look is complemented by pendant earrings.
The stylists made Natalia's hair color more intense, which roughens her appearance. A wet look hairstyle looks retrograde and messy. The same can be said for style in general. The heroine seemed to be disaccustomed to wearing outdated blouses with prints, replacing them with plain clothes in bright shades, but in general the style did not become less provincial. Before the transformation, it was indistinct and cheap, and after that it became deliberately elegant, but still not decorated, not individualized, as if copied from an old magazine.
