10 mistakes of Monica Bellucci's style

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The woman, about whose beauty legends were made, sometimes still misses the mark with style. In recent years, Bellucci has experimented a lot with his images and not always successfully. Here are 10 moments that seem to us to be the style mistakes of the Italian actress.

1. Shining sequins

The combination of a very tight cut dress with shimmering sequins does not flatter the figure of a beautiful Italian woman. Contrary to popular belief, black does not always slim, especially if the fabric is shiny or bulky velvet. If the dress were matte or slightly looser, the effect would be completely different.

2. Black and white negative effect

A black suit with a white blouse is considered a timeless classic, which is not the case for a white suit with a black blouse. Monica wore this combination, probably wanting to be original, but if it's good as an experiment, then as an idea for borrowing is a complete failure.

3. Tightly closed dress

Very closed dresses came into fashion several years ago, but they are not suitable for everyone. Such outfits look good on young slender girls, creating a daring feminine look. On Monica, the full-length dress with pointed shoulders looks smothering in contrast to another red V-neck dress.

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4. Bell skirt

Throughout her career, Bellucci has worn skirts and maxi-length dresses in either a tight cut or a year. And then a few years ago she suddenly began to wear skirts and dresses "bell" to the knee. On a woman after 50, such outfits look a little ridiculous, as if the actress borrowed this skirt from her eldest daughter. A pencil skirt up to the knee or below is a classic that Monica has always suited, as, indeed, everyone else.

5. Leggings (or forgotten skirt)

This release of Monica made a splash, but alas, not in a positive sense. For some reason, the actress wore tight black leggings with platform boots with a black turtleneck and a red leather jacket. The image looked so strange, as if the actress had forgotten to wear a skirt. A simple black jumpsuit in a boxy silhouette looks great on a woman who doesn't need to tight anything.

6. Age hairstyle

A short, ragged haircut, combined with a careless styling, disappointed the fans of the star. This haircut, especially when combined with age-related outfits, especially emphasizes the age of the actress, who turned 55 last year. With medium length hair and bangs, she looked much more impressive.

7. Flowing fabrics

Over the years on the red carpet, Monica has created and reinforced the image of herself as a woman in a dress that fits her figure flawlessly. She always loved corsets, and very rarely wore outfits of light flowing fabrics. And it is absolutely correct, because such models negatively present the image of an actress, emphasizing the massiveness of the figure, making it visually loose and shapeless.

8. All the best at once

The noble beauty of a brunette with the correct facial features requires minimalism in clothes, which Bellucci most often adhered to. But sometimes there are slips in the "all the best at once" style, as in this red lace dress with ruffles and see-through black corset. For Monica, a combination of solid red or black with lace is enough, but without the linen accent and countless frills.

9. Young peasant

The image of a charming peyzanne in a smart dress from the runway is not for an Italian diva who can wear a floral print beautifully in accordance with her appearance. The minimalistic dress of the close-fitting silhouette with large and bright colors gives the actress's figure in a completely different way, drawing attention to her mature, but still bright beauty.

10. Large peas

Monica loves polka dots, and online you can find a huge variety of dresses in small and medium polka dots that she has worn over the past 20 years. But on the runway in the Dolce & Gabbana catwalk, she was wearing a black and white dress with very large polka dots, in which the actress looked prohibitively massive. The large neckline only aggravated the perception of the weighted outfit image, stretching the figure horizontally.

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